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It just like if you were to plant a seed and you e digging the dirt, and plant it in there and then you see what going to happen. That why I also didn finish painting it because I don know what I want to say with that painting, I don know yet. It almost like I e got that far with the sketch and now I not sure where I want her to go.Sometimes I feel like when I don finish something I don emotionally know what the answer is yet so I just come back to it later. And then some stuff I start and then after 24 hours of complete painting I just immerse myself in it and it done. Like “And, I love You” is the painting that went really, really fast but then “Swan Dive” took months …And, I Love You (photo courtesy of Laurel Holloman)BTF: Yeah, I remember how it started, it was so different.LH : Yeah, and “Enlightened” took months. Some of it takes longer and some of it goes very fast. It like catching the train or something, you either jump on and you e in and that it but sometimes you don know yet.BYhttp: / / www.divamag.co.uk?LAUREL HOLLOMAN SPEAKS TO RACHEL SHELLEY ABOUT HER CREATIVE CAREER CHANGE?The sirens are wailing on the streets below Laurel Holloman downtown LA studio, and she struggling to make herself heard. But she really wants to set the record straight.?wailing of the siren is in labor雷尔霍洛曼 the streets of downtown Los Angeles studio below the rings, her efforts to make themselves heard. But she really want to focus on access included.?“I think maybe I shouldn identify as bisexual. I just not sure it be right to use that label again. I used it in my 20s because I was trying to be honest . I had an experience after I shot Two Girls in Love [Laurel breakthrough film role, over 15 years ago] and I thought it was a possibility. I guess I thought I could be bisexual. But then it never happened again. I e never had a relationship with a woman, so all my gay friends are like

you can use that label. You e a straight girl that had a bi-curious hiccup. That what Leisha [Hailey, aka The L Word Alice] says. “” I think perhaps I should not have proved themselves as bisexual, I just do not know if there is power to use the label of my 20 years of age to use the label, because I only to be honest, I have an experience in my film played “two girls in love” after (Laurel breakthrough film role 15 years ago), I think this is a possibility, I guess I think I might be bisexual love, but then it never happen again. I have never has a relationship with a woman, so all my friends gay friends like that, “You can not use that label. You are a straight girl, only with the dual nature of curiosity. “This is Leisha (aka L Word Alice) to say.”?I don need to tell you that this is sensitive ground. For six seasons on TV The L Word, Laurel formed half of the sacrosanct relationship at the core of the show beating heart. She was Tina, indivisible from Bette for TiBette fans the world over. Tina was, however, a bisexual character. The show fan-base is predominately a lesbian one, an audience previously starved of any media presence, real or fictional. So when Tina Kennard returned to men in Season Four, seemingly trading Bette Porter in for, heaven forbid, Henry, most of her screen friends and some of her fans gave up on her. Albeit temporarily. Laurel now says of this storyline, “It wasn a story that was explored. There are always shades of grey”. Bisexuality, it seems, can be a political minefield. So Laurel keen to extrapolate:?< br /> I do not need to tell you, this is a sensitive area. L Word Season Six, Laurel theater center in the other half of the formation of the sanctity of the relationship (the translator of the translation: the other half is Jennifer Beals). She plays Tina, carrying the world TiBette fans hope is inseparable from the role of Bette.

If it becomes a little more based in realism then that fine too. Obviously you just saw a sketch that was on Twitter. There nothing abstract about it.BTF: The one from the song “House of Cards”?Sketch (photo courtesy of Laurel Holloman)LH: Yeah, it a complete direct sketch of more like a 1950 housewife.BTF: But you might change it into something else because all of your paintings evolve into something different …LH: I have a lot of ideas of what I want to do with her but I don know. Once I start with these ideas if they are executed in a way that I want them then they l stay that way. But I find that sometimes the plan that you have for something is not as interesting as the impulsive result. A lot of people like that sketch so much they don want me to paint over it. A lot of times the people are like, “Just leave it, leave it, leave it”, but it not finished. For me, it not finished.BTF: And of course you need to go with your inspiration …LH: Yeah, at first I was going to call her like “The Good Wife” because she so representative of sort of a glamorous 1950 wife, almost like a character out of Mad Men, but she completely void of any kind of happiness. So what I wanted to do is to go in and play with the juxtaposition of …BTF: Goodness and loneliness?LH: Yeah, like I e seen it in January Jones in Mad Men, I don know if you e ever watched that show …BTF: Yes, I did.LH: When she start shooting those f *** ing birds with a cigarette dangling from her mouth and a perfect Grace Kelly hair, (January Jones in Mad Men) I just have a very different understanding of that. That what is in that painting because it somewhat connected to this Radiohead song, which is if you listen to the words of the song there this moment when it like, “Throw your keys in the bowl, kiss your husband goodnight”, which is like a key partyI guess, in general I have to figure out where this painting gonna go because my focus is on the societal expectations for what you suppose to be when you become a wife. That painting is the beginning of that seed.

It like a photographic image that depicts an emotion that is universal enough to draw people in. I interested in painting that.BTF: So for you it mostly some emotion and not the physical aspects of the objects?LH: It could be physical. Sometimes you can even put a face to it but in a physical design or form that can bring you in on an emotional level. It just depends on what it is. Most of my abstracts start with a more literal photo-authentic image, you know, like a nude woman could be underneath an abstract. You see only the abstract but she could be in there or dialog could be in there, a name. I mean, I mix it all together so it just a bunch of layers but I find that if I painting something and if it not abstract enough for me then I not as interested, so I stir it up a little bit.In Laurel studio (photo courtesy of Laurel Holloman)BTF: You did say before that you prefer abstract painting. What attracts you so much to abstract painting versus, let say, realism or classical?LH: On a real-life commercial level abstract sells better.BTF: But you are not doing it for just the commercial value, right?LH: No, because I do both. I still do abstract nudes. Then I e done some portraits for people, but I don find it as personal and most people don find it as personal because the photo-authentic quality doesn tell you much about the painter. Like with the painters I admire from anyone like Jean-Michel Basquiat to Marlene Dumas. They stretch photo-authentic realism into an emotional state that tells you more about altering and augmenting, something like that. I don think I will keep painting only abstract, I think I l paint a little bit of everything. It will just be really interesting to see how it unfolds.I mean, I really just searching to paint to release whatever is going on in that moment. If what going on in that moment stays abstract then it will stay abstract.

Conventionsmuch to the delight of her numerous loyal fansand she is actively pursuing her acting career by appearing in smaller roles and by reading for auditions.In the last couple of months, Laurel did numerous interviews but there are so much more she can offer. Recently, I had the opportunity to interview Laurel. We got together in Los Angeles and spent an hour talking about her passion for art, inspiration for her paintings, her artistic vision, “L Word” Conventions, and TiBette relationship.***Laurel on her art:BTF: When did you first get the strongest desire to start painting full-time?Laurel Holloman: 5th Grade. I wanted to paint all the time in 5th Grade. I painted an Easter Rabbit and I won a contest in 5th Grade and I thought I was going to be an artist. That when I knew. When I won the contest I beat out thousands of other fifth-graders so I knew I must have an artistic flair. I must e done some abstract version of the Easter Bunny.BTF: What about lately as an adult when you started painting full-time after The L Word … what prompted you to do so?LH: I always painted. I pained after The Two Girls in Love, I painted after every movie. I ve always painted.BTF: What happened to those paintings?LH: Mostly I gave away to friends and some are still in my house. I mean, I painted for friends and family, I wasn painting for a show. I just painted. Leisha painted on the set every other day in her trailer. I think when you are a painter you e just painting all the time. I mostly just gave it away. I can pin-point because I don remember when I didn paint.BTF: You said before that you find inspiration mostly in life. What are your favorite subjects to observe and to paint?LH: In life? Loneliness, female form, sex.

can be classified as a single mother, she spent nearly 20 years, the sculpture became a very successful independent film actor or actress of television outlet, but here, through her studio web site, she let everyone fresh, and she suddenly introduced to create a surging, surprised of abstract art in this passion summer, colorful canvas selling collectors around the world which begs the question, in her personal life, is what led to her career in the great upheaval of a major change?Note: The above translation is only personal translation, maybe I lied, not LuH ontological meaning, translation is limited, please bear with.(capable of welcome on of) Diva Magazine 12/10L5 ConventionComplete Interview with Laurel Holloman (L5 Lu interview complete article, # 22,Part 1 (Laurel and art) < br />http://news.l-word.com/2010/11/interview-with-laurel-holloman-part-1-laurel-and-art/By BTF (November 7, 2010)Laurel Holloman became a lesbian icon by playing Randy Dean in “The Incredibly True Adventures of Two Girls in Love” and Tina Kennard on “The L Word”. She also appeared in dozens of independent movies, which is one of Laurel favorite genre and as a guest star in several TV series.Lately, Laurel embarked on another adventure: pursuing her long-time passion, which is abstract painting . She spent her summer in New York, living in an artist studio in Tribeca where she was painting relentlessly (sometimes until wee hours in the morning), creating a series of amazing paintings that she called “The Tribeca Series 2010″. Her art- related website www.laurelhollomanstudio.net is a huge success and just recently Laurel sold all of her “Tribeca Series” paintings. However, anyone can own a piece of Laurel art because she had also offered prints and digital canvases of her work to fans and art collectors to purchase.After returning to Los Angeles, Laurel continues painting and preparing for her first art show next year. Furthermore, she is still attending “L Word”